Saturday morning we woke to rain. It was a happy shock, given California’s drought. Dropping off the car for an oil change, I asked the mechanics to install new wiper blades. Overreaction? Overly optimistic? Only time will tell. Regardless, the skies put on a tremendous show as the front pushed across the region. It was an opportunity to paint a special place where sky, sea and scape meet with spectacular results. Shoreline Park operated by the Port of Oakland offered a grand stand to capture the atmospheric show: cumulous clouds towering over the San Francisco skyline situated on a bay reflecting the sun’s blinding light. It is a rare gift to live near a city blessed with the drama of sea and sky providing artists an opportunity to capture light reflective and translucent.
J. M. W. Turner lived along the London’s river Thames and visited Venice with its Grand Canal. This summer the De Young Museum hosted an exhibit “Painting Set Free” sharing Turner’s landscapes drawn from the last fifteen years of his career. It is a show not to be missed. Peter Ackroyd’s biography of Turner explains the artist’s first encounter with Venice in 1819: “his first thoughts on seeing the floating city are not recorded but we may imagine the response of one who was so deeply attuned to the movement of water, to the passage of light, and the intermingling of the sun among the waves…..he stayed for only five days on this occasion but the city seized his imagination; he filled some 160 pages of his sketchbooks with drawings and groups of drawings. He also executed some wonderful watercolors of the Venetian morning, where the translucent and ethereal light of the city is evoked in washes of yellow and blue. That sense of light never left him. It irradiates much of the rest of his work.”