We are not separate from the world.
Always find balance.
The path you make is on dirt shared by others.
All remarkable, mysterious and precious as you.
We are not separate from the world.
Always find balance.
The path you make is on dirt shared by others.
All remarkable, mysterious and precious as you.
Thank you for the hummingbirds…a glimmer of hope we cherish in our gardens.
Hear our votive prayer for the bird souls, thousands dead in New Mexico, victims of the wildfires fueled by climate change:
“And when bird song is gone will earth be the only witness?
Will only rocks grieve the absence?”
Do we pray for a miracle
awake from the dream that our world consists of disconnected beings?
304,604 acres burned,
39% containment, and
855 structures destroyed.
the fate of habitats
…..endangered, vulnerable, threatened
in the path of hubris?
3 years, 252 days,
over 20,000 lies and only $ 750 paid in taxes,
68 environmental regulations reversed (32 in progress),
7.15 million COVID-19 cases and 205,000 deaths, and
37 days until we exit the Paris Climate Agreement.
The fate of communities
…..who serve our country, grow our food, heal our sick, pay their taxes
in the path of progress?
Say Their Names.
“Artists render things.” In my case, landscapes, cityscapes, human figures, combinations of artifacts, and even toys are rendered on canvas as they appear to me. Selecting a subject to paint calls upon both external and internal factors. Shapes, volumes, colors, and textures engage my senses – establishing my experience of the “thing” – while simultaneously my subjective connections, associations, and memories open a hailing frequency. For children (and grownups) toys (and art) are gateways to worlds we imagine where we are inspired to create a balance between what we observe and what we experience. And so play, and in this case, a painting, begins.
There were twelve toy animals on the table; the one that spoke loudest to me was the Bison. Though only inches in height and width, the expertly modeled Schleich toy called to me. I was captivated by the massive strong body, the tones of sepia, burnt umber, and yellow ochre, and the sense of the thick shaggy fur. Instantly my mind surfaced thoughts of John Muir’s wilderness and my associations with ecologically minded indigenous peoples, capitalist resource exploitation, and land stewardship combined with my memories of hiking and camping. I could easily imagine the cloud of breath released from the Bison’s nostrils on a cold winter Yellowstone morning. The “thing” reached out, grabbed me, and as all good toys do, brought a joyous smile to my face.
The German philosopher Immanuel Kant believed “humans were like citizens of two worlds, occupying both the world of the Ding an sich (the thing-in-itself) which was the external world, and the internal world of one’s perception (how things appeared to individuals).” According to Kant “when we experience an object, it becomes a thing-as-it appears-to-us. Our senses as much as our reason are like tinted spectacles through which we perceive the world.” 
The world, unfortunately through other spectacles, is gritty and grim. I read this morning about how the Bison herds in Yellowstone Park are managed. Because this is the sole remaining place in the United States where the public can experience bison living free-range, sustainable herd percentages are identified (4800), and numbers beyond the benchmarks are destroyed by capture and slaughter or by hunting. Range management is rational, and yet I weep at the loss of numbers realized through our ongoing conquest of the planet. “According to the naturalist Ernest Thompson Seton, North America at the time of Columbus was home to sixty million bison, thirty to forty million pronghorns, ten million elk, ten million mule deer, and as many as two million mountain sheep…incredible to imagine today, bison roamed from New York to Georgia.”
 Wulf, Andrea. The Invention of Nature: Alexander Von Humboldt’s New World. (Vintage Books: New York, 2016). p.38-39
 Mann, Charles C. 1491: New Revelations of the Americas Before Columbus. (Vintage Books: New York, 2006). pp. 282, 357.
January nights remain long and chilly, but the sun grows warmer with each day. Some months from now, our tiny Oakland orchard of apricot, fig, plum and pear will provide a wonderful harvest. With luck, we will have a bountiful year blessed with cakes and pies and many jars of jam and preserved fruit. But should we have a premature spring, early blossoms may be lost to windy Pacific storms, severely limiting our harvest. Never one to give up hope, I gaze at the trees and pray they adapt to humankind’s “gift”: climate change. Sitting in their presence, I am reading, captivated by Richard Powers‘ novel The Overstory. In the book, one of the characters, Forestry scientist Patricia Westerford, writes about and speaks of the Giving Trees:
“…she remembers the Buddha’s words: A tree is a wondrous thing that shelters, feeds, and protects all living things. It even offers shade to the axmen who destroy it…love for trees pours out of her – the grace of them, their supple experimentation, the constant variety and surprise. These slow, deliberate creatures with their elaborate vocabularies, each distinctive, shaping each other, breeding birds, sinking carbon, purifying water, filtering poisons from the ground, stabilizing the micro climate. Join enough living things together, through the air and underground, and you wind up with something that has intention. Forest. A threatened creature…People aren’t the apex species they think they are. Other creatures – bigger, smaller, slower, faster, older, younger, more powerful – call the shots, make the air, and eat the sunlight. Without them, nothing.“
Last Friday September 18, 2019, young people on every continent took to the streets, a student global strike protesting climate change, marching with signs reading “Save Nature, Save Earth, Save Future” and “Plastic Waste is an Economic Flaw” and chanting “You had a future and so should we…[and] we vote next.”
Only the day before Swedish climate activist Greta Thunberg addressed the House of Representatives Joint Committee to submit the landmark IPCC report (Intergovernmental Panel on Climate Change). “I don’t want you to listen to me, I want you to listen to the scientists,” Thunberg told the US lawmakers. “I want you to unite behind the science and I want you to take real action.” 
Afterwards, Thunberg addressed supporters in the grand committee room stating
“the USA is the biggest carbon polluter in history,” she told the audience. “It is also the world’s number one producer of oil. It is also the only nation to signal its intention to leave the Paris climate agreement because it was ‘a bad deal’.”
Speaking softly, she modulated her voice slightly to make clear she was quoting, disapprovingly, [President]Trump with the words “a bad deal”.
Thunberg invoked Martin Luther King’s struggle for civil rights and John F Kennedy’s goals that included landing a man on the moon – “not because they are easy, but because they are hard”, – to plead with Washington to lead in the fight, even if it seems impossible. “Giving up can never be an option,” she said.
Talking about her new book On Fire: The (Burning) Case for a Green New Deal  Naomi Klein quoted Greta Thunberg “We cannot solve an emergency without treating it like an emergency.” We have to “act as if the house is on fire, because it is.” “That does not mean we simply need a New Deal painted green, or a Marshall Plan with solar panels. We need changes of a different quality and character. A new vision of what humanity can be is emerging. It is coming from the streets, from the schools, from workplaces, and even from inside houses of government. When the future of life is at stake, there is nothing we cannot achieve.”
If the sound of a Shofar can be heard during WWII at Auschwitz, then surely each of us can act to preserve our world and what we cherish, and become a mensch…worthy of the humanity in the phrase ‘human being”.
Update: On Monday 9/23/19, Greta Thunberg addressed the delegates at the United Nations “you have stolen my dreams and my childhood with your empty words…the eyes of all future generations are upon you. And if you choose to fail us I say we will never forgive you. We will not let you get away with this. Right here, right now is where we draw the line.”
Afterwards Greta Thunberg stared down President Trump as he entered the United Nations (UN) building to attend a meeting on religious freedom after he had boycotted the UN climate summit.
Mt. Olson (sketch & photograph). Robin L. Chandler, 2019.
We backpacked into Lundy Canyon through the Hoover Wilderness making our way ‘cross a beautiful land whose natural history emerged with every step: granite uplifted and scoured by glaciers leaving tarns and lakes; sleeping cinder cones, and magma flows now still. Bald eagles soar, coyotes howl, and trout leap high all searching for nourishment. Seeking only what they need to live; nothing more, and nothing less. Carrying this heavy pack, on a pilgrimage of sorts, I seek that which will nourish me too. Ruach: Breath. Omoiyari: Compassion. “Not by might, nor by power, but by my spirit.” 
Mt. Connesa (sketch and photograph). Robin L. Chandler, 2019.
Along with my tent, sleeping bag, stove, water filter, and food (all to nourish my body), I’ve also packed the book by Yuri Herrera Signs Preceding the End of the World. Soon we will stop for lunch and rest and we will take turns reading this important book beside a lake in this beautiful place at the end of the world we know and the powerful words will resonate and humble us – we, those privileged (and blessed) to have what we need to live:
“first there was nothing…nothing but a frayed strip of cement over the white earth. Then she made out two mountains colliding in the back of beyond: like they’d come from who knows where and were headed to anyone’s guess but had come together at that intense point in the nothingness and insisted on crashing noisily against each other, though the oblivious might think they simply stood there in silence…then off in the distance she glimpsed a tree and beneath the tree a pregnant woman. She saw her belly before her legs or her face or her hair and saw she was resting there in the shade of the tree. And she thought, if that was any sort of omen it was a good tone: a country where a woman with child walking through the desert just lies right down to let her baby grow, unconcerned about anything else. But as they approached she discerned the features of this person who was no woman, nor was that belly full with child: it was some poor wretch swollen with putrefaction.”
 Zechariah 4:6
Sitting in an Oakland coffee shop, on a gray morning, savoring a cup of coffee…one of life’s precious moments. I am reading, and I am loving this time, when my imagination can soar, inspired by a good book, before I must return to work.
A few weeks ago, I saw Tolkien, a film seeking to capture key moments in J.R. R. Tolkien’s life that inspired his epic novels The Lord of the Rings. In his May 2019 New Yorker article, Anthony Lane described Director Dome Karukoski as “determined to map Middle-earth onto the life of its creator. Thus, the club of school comrades foretells the brotherhood of Frodo and his fellow-hobbits; flamethrowers, in the trenches, turn to dragons in Tolkien’s fevered eyes; mustard gas slithers and drifts like the Ringwraiths.” Being a fan of Tolkien’s books, Peter Jackson’s film adaptations, and now intrigued to learn more about Tolkien the author (after seeing the literary bio-picture), I found Joseph Laconte’s A Hobbit, A Wardrobe and A Great War. Sometimes you can judge a book by its’ cover because I quickly moved from browse to buy inspired by the book’s synopsis: J.R.R. Tolkien and C.S. Lewis enjoyed one of the most consequential friendships of the twentieth century – a friendship that emerged from the suffering and sorrow of the war. Both men fought on the front lines during the First World War…influencing the life of each writer and subsequently shaped the nature and character of their respective towering achievements, The Lord of the Rings and The Chronicles of Narnia.” Laconte’s book has given me a greater understanding of how a writer can draw upon their deepest experiences to produce works of art inspiring audiences to reflect upon humanity’s greatest strengths and most egregious tragedies.
Although the Great War ended over a century ago, some of us continue to live on in its’ shadow. Most Americans paid scant attention to Europe’s 100thyear commemoration of the end of the Great War’s on November 11, 2019, the eleventh hour of the eleventh day of the eleventh month. The names of battles (Ypres, Somme and Verdun) mean little to many. But millions of humans perished in the Great War and the Belgian and French countryside was so drastically decimated and scarred that the landscape quickly became a known as “no man’s land.” Western Leaders in the years leading up to WWI ascribed to the Myth of Progress believing in the benefits of technology and that ever greater days lay ahead. “Railway engines, steam engines, blast furnaces, textile plants, coal and iron mines were turning nature into the handmaiden of humanity…technology was improving life for ordinary people.” Tolkien’s “love of the English countryside, his attachment to nature, rebelled against the chaotic industrialization of his day…the over reliance on technology, ‘the Machine,’ as a step towards dominating others.” Tolkien believed “the act of bulldozing the real world involves coercing other wills.” World War I was chaotic industrialization for Tolkien, and he wrote novels cherishing nature and the human spirit’s ability to rise above the tragedy of misguided industrialization.
Last week on Tuesday April 23, 2019 I was up early before the sunrise. There was much to do: an early swim at the gym, before an early day at work. Quietly closing the door so as not to wake the sleeping family, bounding down the stairs towards the car, I stopped in my tracks. The waning gibbous moon shone bright, but what captured my attention was the shining planet just beneath the moon visible to my naked eye. What celestial body briefly shared a trek across this late April night sky with our moon? Quickly searching Google, I learned the planet was Jupiter, the fifth planet from our sun and the largest in our system, a gas giant like Saturn; Jupiter sacred to the principal god in Roman mythology, and visible in the night sky to astronomers since antiquity. Two days later on Thursday April 25, I was once again awake early before the sun, once again on my way to swim. That morning, Saturn was the moon’s companion, although much dimmer than Jupiter, it was still the brightest celestial body closest to the moon. Saturn is the sixth planet from the sun and the second largest planet in our solar system. It is the most distant of the five planets visible to the naked eye, the other four being Mercury, Venus, Mars, and Jupiter. The Heavens gave me a glorious gift this week: a full moon and two rare planets. Jupiter and Saturn dancing with the moon consecrated the rare coincidence of Pesach and Easter, a conjunction giving us here on Earth a special time to consider the interconnectedness of deliverance, freedom, redemption, and forgiveness.
Darkness punctuated only by the light emitted by stars hundreds of thousands of miles distant and the embers of our fire; and a quiet stillness, broken only by the sounds of waves crashing upon the beach and my wife’s slumbered breathing, measured exhales. The sound of the infinite, slow and steady. We came to Mendocino to slow life’s rapid pace and savor special moments, but, we were unexpectedly blessed to briefly experience the infinite.
Caspar is situated on coastal prairie between the communities of Mendocino and Fort Bragg. An active lumber company town in the 19thand 20thcenturies, it is now a quiet village whose headlands, once the location of a lumber mill, are now conserved as the Caspar Headlands State Reserve. The terrace grasslands are home to meadowlarks, white crowned sparrows and harrier hawks and the beach and estuary below host cormorants, gulls and oystercatchers and the endangered Coho salmon and steelhead trout.
From the balcony of our lodgings, we have a good view of the headlands and the Pacific and on Saturday we were rewarded with a sighting of a pod of gray whales migrating north. The whales were surfacing, exhaling and spouting warm, moist air before diving, their flukes breaking the surface as they plunged. Now as I lay in my bed after midnight, listening to the sounds of the surf, I imagined the gray whales swimming through a deep blue sea, and the sounds of their breathing as they steadily continued north to Alaska, guided by an ancient knowledge passed from cetacean to cetacean. The infinite.
“Close your eyes, prick your ears, and from the softest sound to the wildest noise…it is by Nature who speaks, revealing her being, her power, her life, and her relatedness so that a blind person, to whom the infinitely visible world is denied, can grasp an infinite vitality in what can be heard. ” Johann Wolfgang von Goethe