robinchandler

slough time

Sloughs are narrow, winding waterways where fresh and salt water mix with the rising and ebbing of the tides – a cycle of life, death and rebirth. When the tide recedes the muddy, marshy banks are exposed teeming with life; crabs, shrimps, worms, snails, clams make these flats their home. When the tide rises, these creatures feed on a nutrient rich “soup” created by decomposing plants and other small animals; when the tide ebbs, these shellfish and mollusks become a feast for birds and fishes that also call the slough home. In their time, these birds and fishes provide nourishment to yet other predators. Sloughs are a place measuring time by the absence and presence of water. It is a place for the soul to replenish and connect the tidal rhythm to the rhythm of sustaining our energy and our breath: give and take, in and out, give and take, in and out. Buddha was a gentle human seated amongst the world’s phenomena, contemplating life’s multiple rhythms.

Recently we visited Edison in Skagit County Washington. Walking along Edison’s slough, I was mindful of Gary Snyder’s words in The Practice of the Wild “walking is the great adventure, the first meditation, a practice of heartiness and soul primary to humankind…the exact balance of spirit and humanity. Out walking, one notices where there is food…there are firsthand true stories of ‘your ass is somebody else’s meal’ a blunt way of saying interdependence, interconnection…give-and-take…what a big potlatch we are all members of! To acknowledge that each of us at the table will eventually be part of the meal is not just being ‘realistic.’ It is allowing the sacred to enter and accepting the sacramental aspect of our shaky temporary personal being.”

enchant and attend

enchantattend — Robin L. Chandler, 2018.

Myths and fairy tales are replete with enchantment; tales of magic, witchcraft and sorcery abound. Spells are cast and masks or disguises adorned. Beauty loved her beloved Beast, and Baucis and Philemon opened their home to Jupiter and Mercury disguised as mortals. But what are these disguises but masks, some donned purposefully, others worn in punishment. My mother was a tiger; she donned her mask daily fighting with purpose. She fought to keep us safe, fought to keep us fed, and she fought to get her children all we deserved and more. She donned her mask to attend to her duties as a mother and wife, but sometimes she fought with those she loved. The mask protected the sensitive intelligent woman underneath. We must all don masks to survive. Writing about the Mesoamerican mask traditions, Octavio Paz states “while we are alive we cannot escape from masks or names. We are inseparable from our fictions – our features. We are condemned to invent a mask for ourselves and afterward to discover that the mask is our true face.”* With that insight, I understand why, unfortunately, after a while my mother forgot to remove her mask.

*from Alberto Ruz Lhuillier, quoted in Peter T. Markman and Roberta H. Markman, Masks of the Spirit: Image and Metaphor in Mesoamerica (Berkeley: University of California Press, 1989), xxi; Octavio Paz, Posdata (Mexico City: Siglo XXI, 1970), II.

Round Midnight

bittersweet

hope tinged with sadness

lonely cup of coffee with Hopper’s Nighthawks

searching for something; wishing to share

rounded body of all things in one

painting

rough and smooth

wet and dry

loosing yourself in the the act, life emerges

rounded body of all things in one

“things that gave way entered unyielding masses,

heaviness fell into things that had no weight.”

From Ovid’s TheMetamorphoses, Book I, translated by Horace Gregory

Written listening to Thelonious Monk and Gerry Mulligan play Round Midnight on Mulligan Meets Monk recorded in New York City; August 12 – 13, 1957

to hold and admire

A Mother

holds her child

a duet

a pieta

A baby

admires

the harmony of the trinity

Three apples

Three pointers

Three billboards

outside Ebbing, Missouri

A child

grasps

the stability of four

four voices

four seasons

four gospels

four random points

in space

An adult

Ponders the tango of Adam and Eve

Searching for sincerity

between heaven and earth

response and answer

When I visit or talk with my father these days, the conversation turns to our shared stories. Several times he has with joy and relief told his version of a story about a day when I was three years old. Here is my version. Perhaps it was the call of the wild, but when my dog escaped, I followed, determined to bring her back home. Too young to venture outside my yard alone, but that fact never occurred to me. Single-minded, with purpose, I tracked my dog; when she crossed the creek, I walked into the water, unaware of the coming baptism. In a new world where the rules of gravity and locomotion no longer applied, my feet lost contact with the ground. Possessing no vocabulary to describe my new emotions, my grown self now describes the situation: panic flirted with me, but an increasing sense of calm flooded my body. Water felt like home, not enigma. I moved my arms and legs and reached the shore where my dog looked on; I grasped her collar and we began the walk home, my clothes completely soaked. Closer, fire engines wailed and police cars flashed. Neighbors ran excitedly in all directions looking for something. My frantic mother was yelling at my distraught father. I didn’t understand what was going on. Walking up to my speechless parents, I said, “I got my dog.” Suddenly strong emotions of happiness came from my parents. Once grown, I came to understand that adults thought I was lucky; they were probably right. But somewhere deep inside, some part of me understood my life’s journey had begun.

“Not drowned entirely, though. Rather carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro before his passive eyes; and the misermerman, Wisdom, revealed his hoarded heaps…”

“Only in the heart of the quickest perils; only within the eddyings of his angry flukes; only on the profound unbounded sea, can the fully invested whale be truly and livingly found out.”

Herman Melville, Moby Dick

What is our relation to the past?

Mt.Saint Helena Spring — Mt. Saint Helena Spring 2018 after a dry Winter. Robin L. Chandler

Yesterday I returned to Chalk Hill. It’s been a year since my artist residency at this glorious Sonoma County vineyard. Twelve months ago we were happily besieged by winter storms bringing the desperately needed rain ending our drought of many years. At that time, mountains and hillsides were deep green and the skies dark grays and blues. My painting Mount Saint Helena after the rain describes this past. The storms replenished springs, and rivers and creeks fueled by the deluge, rushed powerfully to the sea. But the generous rain did not protect Napa and Sonoma County from the ravages of fire, indeed, the rain may have accelerated growth, fueling the devastation; it will be a long time before our memories of Atlas Peak and Tubbs firestorms dim.

And today’s Mt. Saint Helena watercolor captures Spring’s awakening, but my colors are pastels, the result of this season’s dry Winter. Last year’s oil paintings of the mountain tell a different story, intense dramatic Spring color born of a wet winter. The season cycle reminds us of our fragility, humbled by the earth’s beauty and power, aware of life’s precious gift.

“History is not what happened two hundred or two thousand years ago. It is a story about what happened two hundred or two thousand years ago…what survives the wreck of empires and the sack of cities is the sound of the human voice confronting it’s own mortality…the story painted on the old walls and printed in the old books is our own.”

Quote from Lewis H. Lapham, The Enchanted Loom, Lapham’s Quarterly, Winter 2018

Pilgrim John of Guadalupe

Texas was my home when I was very young; I was born not far from the Chisholm Trail. Images of cowhands, cattle, big skies and prairies where you can see storms approaching for miles shaped me. Coupled with Western films directed by John Ford and Howard Hawks, I have a rich mythology that feeds and inspires my imagination. And somewhere along the way, I gave my father the mantle of JohnWayne, taciturn hero, wise in the ways of the world, a man of justice who could always be trusted to save the day. Myths. The truth would be revealed later. Maybe, it was easier to survive living in a fairy tale. Grown now, I realize the unfairness of saddling my father with that unrealistic responsibility; humans are human: beloved and flawed. But you cannot blame a child seeking safety in heroes.

In today’s world, where leaders make rash decisions and speak loudly and endlessly about their strength and prowess, I imagine the mythological “Duke” as Pilgrim John of Guadalupe the perfect Yin and Yang balance of the masculine and feminine come to save us from destruction in our desolation. Did I say I have a good imagination? And I hear John Wayne in the character Tom Doniphon from the film The Man Who Shot Liberty Valance say “Whoa there, take ‘er easy there Pilgrim,” as if to say, let’s calm down, take life a step at a time, and think about what’s really important, the impact of our actions, and what would be best for all concerned. Amen. A myth, but a grand one. Life is never as simple as a Western film; the solutions Westerns offer will not resolve the complicated challenges we face. But what we truly value is often expressed well in the clear and simple myths we enjoy and share. Yes, please “take ‘er easy there Pilgrim.” Hold steady…the planet’s future rests in our hands.

open and clear

A grave illness resides with my father and we, his family, breathe on, our minds plagued with a dull ache that cannot be suppressed. But what goes through a person’s mind at this time? Is death as simple as opening a window? Do you have a clear view of what lays beyond or are you adrift in the darkness? Czeslaw Milosz writes in his poem Winter:

“…when the sun rises beyond the borderlands of death,

I already see the mountain ridges in the heavenly forest

Where beyond every essence, a new essence waits.”

A field in winter

Winter has brought short days, cold nights, and muted colors. But even in this grey rainy gloom, you can find light. Last weekend, I had the great pleasure of hearing the pianist Roger Woodward and members of the Alexander String Quartet play Dmitri Shostakovich‘s Piano Trio No. 2 in E Minor, Opus 67. It was January 20, 2018, the morning of the Women’s March marking a year since the Presidential inauguration. Shostakovich’s deeply moving music was inspired by the tragic discovery – as the Nazi armies retreated from their failed siege of Leningrad – of the Russian atrocities committed against Jewish People. I found the sobering music – particularly the strong chords of the opening of the third movement “Largo” appropriate for my reflections both political and personal. What was inconceivable has become all too real: capitalism flirts actively with fascism, and democracy is gravely challenged. Illness has struck my loved ones. Like standing in a field in winter, life seems almost absent. Time slips through your fingers; silence roars. Shostakovich’s music breaks your heart, but mends it just the same. Life continues, sleeping underground.

awaken at the beach

Winter is my favorite time of year; I love the journey to the year’s shortest day and the new pilgrimage for the year’s longest day. Precious the light of day and the warmth of the sun; most welcome is the night when blessed with a good book by the fire and my cat curled sleeping in my lap.

On Christmas Eve, I walked the landscape of Drakes Estero and Limantour Beach with my beloved wife and dear friend. Just a few days past the solstice the day remained short, and to commemorate the day, I made a watercolor sketch and reflected on darkness and light asking myself what can well-meaning souls do to make the world a better place?

And by a better place I mean: end the rapacious exploitation of the earth’s flora and fauna; take measures to resolve the increasing disparity between rich and poor; respect the diversity of global cultures; and stop the egregious use of violence. No small challenge. No simple answer. In fact, it sounds so impossible to resolve, I might as well give up and run away. Run as far away as possible from the suffering and the death, building tall strong walls to protect me from the pain.

It takes great courage to sit and listen to the suffering, the death, and the pain: within yourself and in others. Many of us feel compelled to fix the problems, and when we can’t we give up and salve our pain with whatever money can buy. Not knowing what to do or how to fix a problem is impossibly hard. But through my Buddhist studies, I have learned that there is a place to begin: listen, stay open minded and be generous. This is how the suffering ends and the healing starts. We are not born knowing all things, and will never learn all there is to know. Mitchell Thomashow writes in his essay Nature. Love. Medicine. Reciprocity. Generosity. “…we can cultivate generosity, open-mindedness, graciousness, and humility in the space of that glorious unknowing. I don’t have the capacity to love every species and every person, but I can develop the capacity to be more generous with those people and species that I do encounter.” Blessings on us all for this New Year!